Stage Interpretations of the Performing Arts

Authors

  • Kasimjonova Nodirabegim Farhodjon qizi 3rd stage student of Fergana State University of history department

DOI:

https://doi.org/10.17605/OSF.IO/C5WJA

Keywords:

Genres, dance art, artistic thinking, performance art, lapar, terma, Tanovor, Shashmaqom

Abstract

Our ancestors lived in every era that our ancestors enriched and further developed the traditions of the invaluable national music, dance and performance arts created by their fathers and grandfathers with the product of their artistic thinking national traditions of the Uzbek people have been developing over centuries, passing from generation to generation, improving. And the spheres that are part of performing arts are formed in a unique way at the scale of regions. If we take the art of dance as an example, in the dance schools of Karakalpak, Khorezm, Bukhara, Tashkent, Fergana and Surkhan, formed in the territory of Uzbekistan, teachers teach students verbally and knowledge and experiences transmitted in a practical way are also a part of performance art. Genres of folk performance art that have been preserved in practice are gallows and gallows performances, puppetry, wrestling, that goats, clowns, etc. are passed on to the younger generation as examples of our cultural heritage, and attention is paid to their protection at the state level shows their importance in the development of society and sustainable development.

References

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Published

2023-05-29

How to Cite

qizi, K. N. F. . (2023). Stage Interpretations of the Performing Arts. Central Asian Journal of Social Sciences and History, 4(4), 256–259. https://doi.org/10.17605/OSF.IO/C5WJA

Issue

Section

Articles